Aesthetic equivalence of human senses in japanese tradition

Skvortsova, Elena L.

RAS History & PhilologyНовая и Новейшая история Novaia i noveishaia istoriia

ISSN (Print) 01303864

ISSN (Online) 3034-6002

Aesthetic equivalence of human senses in japanese tradition

PII

S0236-20070000616-8-1

DOI

10.7868/S70000616-8-1

Publication type

Article

Status

Published

Authors

Elena L. Skvortsova

Volume/ Edition

Volume / Issue 4

Pages

170-184

Abstract

The article is devoted to a widely discussed subject - aesthetical synaesthesia, shown in Japanese traditional art theory - Geido in different ways. The most representative form of such synaesthesia can be found in the art of Tea ceremony - Sado, where all five corporal senses are powerful gates of both perception and creation of complicated images, significant for the medieval forms of thinking influenced by Buddhist world outlook.

Keywords

"GEIDO" AESTHETICS, SYNAESTHESIA, MEDIEVAL JAPANESE ART

Date of publication

01.08.2011

Year of publication

2011

Number of purchasers

Views

1200

References

GOST	Skvortsova E. Aesthetic equivalence of human senses in japanese tradition // Chelovek. – 2011. – Issue 4 C. 170-184 .
MLA	Skvortsova, Elena L "Aesthetic equivalence of human senses in japanese tradition." Chelovek. 4 (2011).:170-184.
APA	Skvortsova E. (2011). Aesthetic equivalence of human senses in japanese tradition. Chelovek. no. 4, pp.170-184

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Aesthetic equivalence of human senses in japanese tradition

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RAS History & PhilologyНовая и Новейшая история Novaia i noveishaia istoriia

Aesthetic equivalence of human senses in japanese tradition

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